These stories, alternatively touching and hilarious, reveal the pain beneath the kitschy veneer of 1940s mementos and taxidermied chickens. The true stories they relate are no less strange: Dag tells a particularly haunting tale about a Japanese businessman whose most prized possession, tragically, is a photo of Marilyn Monroe flashing. The term 'Generation X' worked its way into popular vernacular after the release of Douglas Couplands 1991 novel, Generation X: Tales for an Accelerated Culture, about three twentysomethings who are underemployed, overeducated, and unpredictable. They fantasize about nuclear Armageddon and the mythical but drab Texlahoma, located on an asteroid, where it is forever 1974. In a typically Coupland-esque tongue-in-cheek move, Generation X ’ ending sees Dag, Claire, and Andy emigrating to Mexico and opening a hotel there. Published 30 years ago, Generation X went on to become a cult. The plot frames a loose Decameron -style collection of ``bedtime stories'' told by three friends, Dag, Andy and Claire, who have fled society for the relative tranquility of Palm Springs. This is the plot of Generation X: Tales for an Accelerated Culture, the first novel by Canadian writer and artist Douglas Coupland. ).'' These are just two of the many terse, bitterly on-target observations and cartoons that season the margins of the text. Newcomer Coupland sheds light on an often overlooked segment of the population: ``Generation X,'' the post-baby boomers who must endure ``legislated nostalgia (to force a body of people to have memories they do not actually own)'' and who indulge in ``knee-jerk irony (the tendency to make flippant ironic comments as a reflexive matter of course.

Generation x coupland